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You've selected:
Roo Records Music
Sheetmusic to print
163 sheet music found
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151
Way West of Wetherby - Windband
Way West of Wetherby - Windband
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Concert band
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EASY
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Contemporary
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Rachael Forsyth
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Way West of Wetherby - Windban
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Roo Records Music
#
SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1011100 Composed by Rachael Forsyth. Contemporary. Score and parts. 49 pages. Roo Records Music #3358645. Published by ...
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Concert Band - Level 2 - SKU: A0.1011100 Composed by Rachael Forsyth. Contemporary. Score and parts. 49 pages. Roo Records Music #3358645. Published by Roo Records Music (A0.1011100). Way West of Wetherby is a lighthearted windband piece aimed at grade 4-5 standard players.The music takes you across the waters from Yorkshire on a musical journey.
$9.99 ≈
9.27€
Winter - SS Accompanied Piece
Winter - SS Accompanied Piece
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Christmas
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Rachael Forsyth
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Winter - SS Accompanied Piece
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Roo Records Music
#
SheetMusicPlus
High Voice,Vocal Solo - SKU: A0.1011101 Composed by Rachael Forsyth. Christmas. 6 pages. Roo Records Music #3358647. Published by Roo Records Music (A0....
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High Voice,Vocal Solo - SKU: A0.1011101 Composed by Rachael Forsyth. Christmas. 6 pages. Roo Records Music #3358647. Published by Roo Records Music (A0.1011101). Winter - is a work either for childrens ensemble or SS duet.Excellent choral filler for Christmas concerts
$2.99 ≈
2.77€
Put Your Records On
Put Your Records On
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Choral SSAA
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INTERMEDIATE
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Contemporary
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Corinne Bailey Rae
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Donya Metzger, Sofia De Rama
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Put Your Records On
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Donya Metzger
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SheetMusicPlus
Voice, SSAA, Women's Barbershop - Intermediate - By Corinne Bailey Rae. Arranged by Donya Metzger, Sofia De Rama. Sheet Music Single. 9 pages. ...
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Voice, SSAA, Women's Barbershop - Intermediate - By Corinne Bailey Rae. Arranged by Donya Metzger, Sofia De Rama. Sheet Music Single. 9 pages. Published by Donya Metzger
Just go ahead let your hair down! This fun pop piece captures the groove and flavour of Corinne Bailey Rae's original recording, and the melody moves between parts so everyone gets a share of the spotlight.
$4.50 ≈
4.17€
BATTLE OF SHIVA AND GANESH - The Flippomusic Series - Indo-Jazz Fusion - Full Score, Key, Flute, Bb
BATTLE OF SHIVA AND GANESH - The Flippomusic Series - Indo-Jazz Fusion - Full Score, Key, Flute, Bb
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Jazz Ensemble
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ADVANCED
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Dave Flippo
#
#
BATTLE OF SHIVA AND GANESH - T
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David William Flippo
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.996007 Composed by Dave Flippo. Jazz,World. Score and Parts. 15 pages. David William Flippo #4790043. Pu...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.996007 Composed by Dave Flippo. Jazz,World. Score and Parts. 15 pages. David William Flippo #4790043. Published by David William Flippo (A0.996007). Extensive composition built on the Gujri Todi Raag. Includes Full Score/Keyboard Part and Flute, Bb Tenor Sax and Rhythm Parts. Derived from the performance on Ganesh by Flippomusic on Southport Records. See the comprehensive list of Dave Flippo compositions at www.flippomusic.com/sheetmusic - organized by style and groove.
$8.95 ≈
8.30€
Élégie
Élégie
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Guitar
#
Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO...
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Guitar - Intermediate - SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né àDouala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller àl'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé àLa Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé àParis où il a commencé des études d'anglais àla Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique àla mode àcette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait àde nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre àjouer de l'instrument lui-même.Il a commencé àcomposer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain àParis), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile àconcilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique àl'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment àtravers le piano àpouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun àla Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité àse produire, àdonner des conférences ou àrencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité àfaire partie du jury d'un concours de guitare classique àCaracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès àla fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95 ≈
3.66€
Rain Music (SATB div)
Rain Music (SATB div)
#
Choral SATB
#
INTERMEDIATE
#
David Das
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Rain Music
#
Records Room Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.916074 Composed by David Das. 20th Century,A Cappella,Contemporary. Octavo. 10 pages. Records Room Music #665777...
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Choral Choir (SATB) - Level 3 - SKU: A0.916074 Composed by David Das. 20th Century,A Cappella,Contemporary. Octavo. 10 pages. Records Room Music #6657779. Published by Records Room Music (A0.916074). A delicate tone poem for a cappella SATB choir divisi. This is the second in the set of Two Poems of Joseph Seamon Cotter. Jr., the other being Night Winds which can also be heard at the same YouTube link.
$2.95 ≈
2.74€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
#
Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
#
SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
$14.99 ≈
13.91€
Je M'en Souviens (Choro) by Roger Davidson
Je M'en Souviens (Choro) by Roger Davidson
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Flute, Violin, Piano
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INTERMEDIATE
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Latin/World Music
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Roger Davidson
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Je M'en Souviens
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SheetMusicPlus
Composed by Roger Davidson. Latin Jazz, Bossa Nova, Smooth Jazz, Latin, Afro-Brazilian. Lead Sheet. 2 pages. Published by Musica Universalis Publishin...
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Composed by Roger Davidson. Latin Jazz, Bossa Nova, Smooth Jazz, Latin, Afro-Brazilian. Lead Sheet. 2 pages. Published by Musica Universalis Publishing
From the CD "Journey To Rio" by Roger Davidson (Soundbrush Records)
Like many Americans, Roger Davidson discovered the bossa nova through the recordings of Stan Getz, and since then, the sounds of Brazil have been especially close to his heart. In four previous CDs ? Brazilian Love Song, Bom Dia, Rodgers in Rio, and Bingo ? he brought his unique spin to the music of a country that, remarkably, he had never visited. In October 2011, that changed.
Accompanied by his producer, the Argentine bassist and bandleader Pablo Aslan, Roger took his first trip to Brazil. Most of his eight days there, which he spent in Rio de Janeiro, were occupied by six recording sessions. Roger arrived with a hundred of his Brazilian compositions to choose from; the songs he recorded ? in addition to several new ones he composed in Rio ? comprise these two CDs.
?Journey to Rio features deeply emotional Brazilian love songs alongside Davidson?s French inspired compositions. These compositions enforce a sense of rooted emotion that melds Davidson?s vast life experiences of international culture with the modern expressions of Brazilian jazz.? Latin Jazz Corner
http://soundbrush.com/album/journey-to-rio/
$1.99 ≈
1.85€
Memories
Memories
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String Quartet: 2 violins, viola, cello
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EASY
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Rock
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Maroon 5
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Inacio Saldanha
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Memories
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SheetMusicPlus
String Quartet - Early Intermediate - By Maroon 5. Arranged by Inacio Saldanha. Score, Set of Parts. 15 pages. Published by Inacio Saldanha...
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String Quartet - Early Intermediate - By Maroon 5. Arranged by Inacio Saldanha. Score, Set of Parts. 15 pages. Published by Inacio Saldanha
"Memories" is a song by American pop rock band Maroon 5. It was released by 222 Records and Interscope Records on September 20, 2019, as the lead single from their upcoming seventh studio album.The song was produced by lead vocalist Adam Levine and production team The Monsters and the Strangerz, and written by Levine, Stefan Johnson, Jordan Johnson, Michael Pollack, Jacob Kasher Hindlin, Jon Bellion, and Vincent Ford. The song peaked at number two on the US Billboard Hot 100 chart.
Arranged for String Quartet. Key of B. Early Intermediate
$12.99 ≈
12.05€
Superstition
Superstition
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Rock
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Stevie Wonder
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Tim Crooks
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Superstition
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STR:UK String Arrangements
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SheetMusicPlus
String Quartet - Advanced Intermediate - By Stevie Wonder. Arranged by Tim Crooks. Score, Set of Parts. 13 pages. Published by STR:UK String Arrangeme...
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String Quartet - Advanced Intermediate - By Stevie Wonder. Arranged by Tim Crooks. Score, Set of Parts. 13 pages. Published by STR:UK String Arrangements
One of Stevie Wonder?s greatest hit records, Superstition, arranged for string quartet by Tim Crooks. Get your funk on.
This arrangement has been transposed up a semitone from the original key into E minor to make it even more fun to play?
$14.99 ≈
13.91€
Don't Forget
Don't Forget
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Piano solo
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EASY
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Rock
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Demi Lovato
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Unimusic Academy (Academia Uni
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Don't Forget
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Unimusic Academy
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SheetMusicPlus
Piano - Level 2 - SKU: A0.1134754 By Demi Lovato. By Demi Lovato, Joseph Jonas, Kevin Jonas II, and Nicholas Jonas. Arranged by Unimusic Academy (Academ...
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Piano - Level 2 - SKU: A0.1134754 By Demi Lovato. By Demi Lovato, Joseph Jonas, Kevin Jonas II, and Nicholas Jonas. Arranged by Unimusic Academy (Academia Unimusica). Pop,Rock. Score (Chords/Lyrics). 2 pages. Unimusic Academy (Academia Unimusica) #734798. Published by Unimusic Academy (Academia Unimusica) (A0.1134754). Don't Forget is the debut studio album by American singer Demi Lovato. It was released on September 23, 2008, by Hollywood Records. She started working on the album in September 2007, while filming the Disney Channel original movie Camp Rock. Lovato co-wrote most of the songs with pop rock band The Jonas Brothers, who produced the album along with record producer John Fields. Other songwriters include Kara DioGuardi, Jason Reeves and Rooney frontman Robert Schwartzman. Don't Forget features primarily a power pop and rock sound, with the lyrical content addressing other adolescent topics.[1][2].
$8.00 ≈
7.42€
Take A Chance On Me
Take A Chance On Me
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Choral SSAA
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INTERMEDIATE
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Broadway
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ABBA
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David Das
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Take A Chance On Me
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Records Room Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by David Das. 20th Century, Broadway, Contemporary, Musical/...
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Choral Choir (SSAA) - Level 3 - By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by David Das. 20th Century, Broadway, Contemporary, Musical/Show, Pop. Octavo. 10 pages. Records Room Music #684174. Published by Records Room Music
$3.99 ≈
3.70€
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
Three Pieces for Tuba Ensemble - Salutation Fanfare, Simple Gifts, Octubafest Polka
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Gregory Fritze
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Three Pieces for Tuba Ensemble
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Musica Nova USA
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SheetMusicPlus
Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Mus...
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Small Ensemble Euphonium,Horn,Tuba - Level 2 - SKU: A0.917404 Composed by Gregory Fritze. 20th Century,Concert,Standards. Score and parts. 61 pages. Musica Nova USA #4984119. Published by Musica Nova USA (A0.917404). Three Pieces for Tuba Ensemble is a collection of three pieces that were composed at different times for different occasions. This set makes up a good suite for concert performance. Although listed as a tuba ensemble compositions, euphoniums usually play the higher two parts. All three are written in five parts. Optional substitute parts for French Horn and Flüglehorn are also included in this set, as well as euphonium parts in treble clef.Salutation Fanfarewas composed in 1985 for performance at the New York Brass Conference at the Roosevelt Hotel in New York City. That year, famous tubist Harvey Phillips was being honored at a special concert. This piece started the concert with the composer conducting an ensemble of about twenty euphonium and tuba players made up of Indiana University alumni, free-lance musicians and other friends of Mr. Phillips. The piece is based on the phrase Harvey Phillips Mr. Tuba. Simple Giftsis a traditional American folksong that has been arranged by many composers over the years. This arrangement was done in 1990 for performance at the International Tubists Universal Brotherhood Association Conference held in Sapporo, Japan. It was premiered by the Colonial Tuba Quartet that year. It has been arranged in four parts as well as this arrangement in five parts.Octubafest Polkawas composed in 1976 at the request of Harvey Phillips for performance at the Octubafest activities at Indiana University. It was premiered by the Indiana University Tuba Ensemble that year, conducted by Harvey Phillips. Mr. Phillips was the first to use the word Octubafest, probably in 1974 or 1975. Octubafest celebrations have taken place at many schools and universities ever since, usually in the month of October. He said that having an Octubafest celebration early in the school year provided an opportunity for new students entering college to get to know each other. At Indiana University during Harvey Phillips’ tenure (1973 – 1996) the Octubafest concerts were always followed by a party at Harvey’s house, making for a good time for all. Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1991 TUBA International Etude Composition Competition, for his Twenty Characteristic Etudes for Tubaan important part of the tuba pedagogy repertoire. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$30.00 ≈
27.83€
Lux Æterna
Lux Æterna
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Marching band
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INTERMEDIATE
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Metal/Hard Rock
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Metallica
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David Das
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Lux Æterna
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Records Room Music
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SheetMusicPlus
By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Das. 156, Contemporary, Contest, Festival, Pop, Rock. Score and parts. 55 pages. Re...
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By Metallica. By James Hetfield and Lars Ulrich. Arranged by David Das. 156, Contemporary, Contest, Festival, Pop, Rock. Score and parts. 55 pages. Records Room Music #790197. Published by Records Room Music
$59.99 ≈
55.65€
Sing, Sing, Sing
Sing, Sing, Sing
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Choral SSAA
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INTERMEDIATE
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Jazz
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Benny Goodman
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David Das
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Sing, Sing, Sing
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Records Room Music
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SheetMusicPlus
By Benny Goodman. By Louis Prima. Arranged by David Das. 20th Century, A Cappella, Jazz, Standards. Octavo. 9 pages. Records Room Music #6716879. Publ...
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By Benny Goodman. By Louis Prima. Arranged by David Das. 20th Century, A Cappella, Jazz, Standards. Octavo. 9 pages. Records Room Music #6716879. Published by Records Room Music
$3.49 ≈
3.24€
Merrimack River
Merrimack River
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Choral 3-part
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INTERMEDIATE
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Pop music
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Mandy Moore
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David and Sara Das
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Merrimack River
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Records Room Music
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SheetMusicPlus
By Mandy Moore. By Zhiar Mahmoud and Mandy Moore. Arranged by David and Sara Das. Dance, Pop. Octavo. 11 pages. Records Room Music #4368750. Published...
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By Mandy Moore. By Zhiar Mahmoud and Mandy Moore. Arranged by David and Sara Das. Dance, Pop. Octavo. 11 pages. Records Room Music #4368750. Published by Records Room Music
$3.99 ≈
3.70€
All I Want For Christmas Is You
All I Want For Christmas Is You
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Choral SSAA
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INTERMEDIATE
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Christmas
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Lady Antebellum
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David Das
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All I Want For Christmas Is Yo
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Records Room Music
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SheetMusicPlus
By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by David Das. A Cappella. Octavo. 10 pages. Records Room Music #6607269. Published...
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By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by David Das. A Cappella. Octavo. 10 pages. Records Room Music #6607269. Published by Records Room Music
$4.49 ≈
4.17€
White Christmas
White Christmas
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String Quartet: 2 violins, viola, cello
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Christmas
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Dave Koz & Kelly Sweet,
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Jeffrey A
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White Christmas
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SongSmith Records
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SheetMusicPlus
By Dave Koz & Kelly Sweet, Michael Buble Duet With Shania Twain, Rascal Flatts, Martina McBride, Garth Brooks, and Taylor Swift. By Irving Berlin....
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By Dave Koz & Kelly Sweet, Michael Buble Duet With Shania Twain, Rascal Flatts, Martina McBride, Garth Brooks, and Taylor Swift. By Irving Berlin. Arranged by Jeffrey A. Smith. Broadway, Holiday, Multicultural, Musical/Show, Standards, Traditional, World. Score and parts. 7 pages. Published by SongSmith Records
$12.99 ≈
12.05€
One Mint Julep: 3rd Trombone
One Mint Julep: 3rd Trombone
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Trombone (band part)
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Instructional
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Alan Baylock and Rudolph Toomb
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One Mint Julep: 3rd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014726_TN3 3rd Trombone. Arranged by Alan Baylock and Rudolph Toombs. Instructional. Part. 2 pages. Alfred Music -...
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Jazz Ensemble - SKU: AX.00-PC-0014726_TN3 3rd Trombone. Arranged by Alan Baylock and Rudolph Toombs. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014726_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014726_TN3). UPC: 654979069515.Brilliant arranger/composer Alan Baylock puts a very hip spin on One Mint Julep. A greasy salsa with a hint of Thad Jones-Mel Lewis, Alan's arrangement provides solo space for alto 1, trumpet 2, and bone 1. The rhythm section will have fun with the salsa groove and few meter changes. This is a must-have chart! This recording is taken from the Alan Baylock CD, TWO SECONDS TO MIDNIGHT, available on Seabreeze Records. (6:04).
$3.00 ≈
2.78€
One Mint Julep: 2nd B-flat Trumpet
One Mint Julep: 2nd B-flat Trumpet
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Trumpet (band part)
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Instructional
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Alan Baylock and Rudolph Toomb
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One Mint Julep: 2nd B-flat Tru
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0014726_T2 2nd B-flat Trumpet. Arranged by Alan Baylock and Rudolph Toombs. Instructional. Part. 2 pages. Alfred Mu...
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Jazz Ensemble - SKU: AX.00-PC-0014726_T2 2nd B-flat Trumpet. Arranged by Alan Baylock and Rudolph Toombs. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014726_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014726_T2). UPC: 654979069515.Brilliant arranger/composer Alan Baylock puts a very hip spin on One Mint Julep. A greasy salsa with a hint of Thad Jones-Mel Lewis, Alan's arrangement provides solo space for alto 1, trumpet 2, and bone 1. The rhythm section will have fun with the salsa groove and few meter changes. This is a must-have chart! This recording is taken from the Alan Baylock CD, TWO SECONDS TO MIDNIGHT, available on Seabreeze Records. (6:04).
$3.00 ≈
2.78€
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Roo Records Music
